Thursday, December 1, 2016

Helmet/Local H, December 1, 2016 at the Roxy

Local H seem to take any tour, since if it gets them out and makes them a relevant, active band again, especially when albums don’t sell, and it makes it so that we get to see them, no matter that it’s been a lot by now. Coming up with a combo tour is like a slot-machine, possibly even making it so we don’t have to risk seeing Everclear with them, and they come through L.A. as frequently as anyone does, even though that city would seem too easy to stoke their persistent ire. They’re even pissy about it in an out-dated, grunge rock-star kind of way, though they might or might not be like that anywhere, and it’s gotten a certain charm about it, especially when no one seems to be grumpy about rock anymore (and inspiring just for someone to be emotional toward it). It was time for another loop into the city, this time pairing up with Helmet, another band relying on anyone remembering them from the old stuff rather than knowing anything since 2000, but putting them together could make for a compelling bill, even to see how they’ve updated anything. I’m always in to see Local H but to miss them this time would be to have the opportunity to catch them again in a few months, but still it was a good package for a weekday night, enough to even get a second ticket. The wife might have been persuaded to go if she hadn’t already seen Local H before but she stayed out, so instead I got Vanessa to go, and it gave us the chance to catch up before the show at the pizza place a few blocks away, along with hashing out our very dire concerns for the future after the recent election. Local H had just been at the Roxy the previous June on their tour playing As Good As Dead, probably the best draw they could make on their own, and here they were opening a show. Sure, they could say the bands were co-headlining, but Local H went on first and they played a much shorter set, enough to be openers by any measure. Yet, they were still explosive, as forceful as any other show they’ve done, and more impactful for the smaller space, which was packed and hot, even in December. Surely loud, too, as their system may not differentiate between wherever they’re playing, and they might as well turn the volume all the way up. We might have also been standing as close as we could to the stage, since there wasn’t too much further to the back from the front, and it’s a rock show. They even played some tunes I wasn’t familiar with (both their earliest tracks and from the new album, Hey, Killer), reminding me I hadn’t been keeping up with them enough, but good to hear something fresh (and being one time they didn’t bother dredging out “Bound For The Floor” yet again). Helmet once again sounded like crap, with lackluster new songs (especially from the newest album, Dead to the World) and Page not singing with the grit or even tune that he once had and now doesn’t even try when recording. I thought maybe they could make something of the junk newer stuff or lean on the reliable old stuff but what we got was a lot of sludge that wasn’t even entirely well-meaning. We had some drinks but there wasn’t any point in staying so, assuming “Wilma’s Rainbow” was only a brief aberration and there wasn't going to be a miracle to redeem the rest, we took off. We got enough of a show, with a furious if short Local H set and enough to know that we didn’t need to bother with Helmet anymore. This is the one time that setlist.fm worked against me, as I gave in to my curiosity to see how close we were to the end of the show and see what else they played. That’s when it got me, that they were saving the best (or just good) for the end: every song I could want to hear them play (save for all of Aftertaste) is what they did, only after we left. Whether they were finally free of the new material they thought they had to get out to consider themselves still relevant or they begrudgingly played the stuff that anyone knew and wanted to hear, they brought out material for a good show in a long encore and maybe they rocked it. Page’s voice probably didn’t do the stuff any favors but it was the effort that (would have) meant something  At least the music could cram the room with some heavy, pounding sound. So their case could still be open, that maybe there could be a reason to see them, but I wouldn’t bet much on it, and they would need a good partner to make it worth risking some cash for it.

Helmet’s set-list:
“Give It“
“Life or Death“
“So Long“
“Enemies“
“Bad News“
“Drunk in the Afternoon“
“Overrated“
“I ♥ My Guru“
“The Silver Hawaiian“
“Red Scare“
“Blacktop“
“On Your Way Down“
“Bury Me“

“Rude“
“Milquetoast“
“Sam Hell“
“Wilma's Rainbow“
“Ironhead“
“Just Another Victim“
“Unsung“
“Speechless“
“Turned Out“
“In the Meantime“


Local H’s set-list:
“Nothing Special“
“Cynic“
“User“
“Fritz's Corner“
“Paddy Considine“
“Stick to What You Know“
“Scott-Rock“
“Jesus Christ! Did You See the SIZE of That Sperm Whale?“
“The Misanthrope“
“Hands on the Bible“
“California Songs“
“That's What They All Say“