Saturday, August 25, 2018

David Byrne, August 25, 2018 at the Shrine Expo Hall

I never had much use for art-rock when I was younger, and I didn’t know about the early NYC punk scene before I knew about music beyond the radio. But the Talking Heads had some songs that I liked when I found them, and they could be just another pop band as far as I knew. Sand in the Vaseline was the greatest hits that I was hungrily awaiting in the early days of getting CDs, and I didn’t shy away from a two-disc set that had a lot more songs than I wanted but plenty I could explore, and I eventually got into it over time, though I still clung to the hits (mostly off Little Creatures then some of the easy, later stuff). Even then I didn’t follow David Byrne into his solo stuff and I didn’t have much to do with him without the anchor of the 'Heads (though I got The Heads album and still put “The Damage I’ve Done” on playlists (it being a pretty great Johnette Napolitano song)). As such I wouldn’t have bothered with Byrne’s American Utopia except for getting it from the library, and it still didn’t do much for me. If Byrne wasn’t leaning hard into pop or rock then it was too arty for me to stay with. A little too weird to be catchy, and not enough easily consumable moments. As such we wouldn’t have bothered with the live show, but friends had to ditch out and we said we’d take the tickets, and Carla & I went with Candy. I had read that the show was an arty thing but it was another experience to see it in person. It was less a concert and more of a performance, which can happen with some of the edgier music we might be into, since if there aren't expectations for the music then there might not be the same for the performing of it, and it doesn’t always work but it can at least be interesting and fresh, enough to set it off from just a rote run-through of songs. And while I didn’t hew with Byrne’s music as much, I could appreciate that he was trying to do something new and creative, as he always does (and probably why he's refused to go back to the Talking Heads, though even just a little bit wouldn't have killed him). I wouldn’t normally be into such a thing but it was good to see something new from a show. Byrne even thew in a few Talking Heads tunes, a surprise from someone who has so adamantly tried to separate himself from his past, more successful endeavors, even at this own expense, though it was to get something more out of them with new versions than to just flog the hits or revisit what he’d already done decades ago (as evidenced by hitting "Once in a Lifetime" early in the set instead of building up to it (though still conceding to climaxing with "Burning Down the House")). Though it also marked how we don’t need a Talking Heads reunion if Byrne would be allowed to only take it back to what it was, since his restless spirit wouldn't accept the vacuity of a rehash when he could do something new, and on his own (as interesting as it could be, it would flop if they didn’t recapture the purity from what the people loved, such is the conundrum of new art vs. old love). Byrne even took a sampling of this show to SNL and it worked just as well. It was even better to see this performance before Byrne moved well beyond it with his next project, which could even be the complete opposite of what he’d done, which might not be something I’d love but it’s a thrill to witness where such a wildly creative mind’s impulses take him. We missed opener Ibeyi. (And I wouldn't always bother to note which are songs from the old band in the set-list, but those stood out as the better bits.) 

David Byrne’s set-list:
“Here“
“Lazy“ (X‐Press 2 cover)
“I Zimbra“ (Talking Heads)
“Slippery People“ (Talking Heads)
“Dog's Mind““
“I Should Watch TV“
“Everybody's Coming to My House"
“This Must Be the Place (Naive Melody)“ (Talking Heads)
“Once in a Lifetime“ (Talking Heads)
“Doing the Right Thing“
“Toe Jam“ (Brighton Port Authority cover)
“Born Under Punches (The Heat Goes On)" (Talking Heads)
“I Dance Like This“
“Bullet“
“Every Day Is a Miracle“
“Like Humans Do“
“Blind“ (Talking Heads)
“Burning Down the House“ (Talking Heads)

“Dancing Together“
“The Great Curve“ (Talking Heads song)

“Hell You Talmbout“ (Janelle MonĂ¡e cover)

Monday, August 13, 2018

The Kills, August 13, 2018 at the Regent

Jen had another extra ticket for a concert, and if I wasn’t working then I was at home and usually good for a weekday show. I was a fan of The Kills, though I didn’t go much beyond seeing them at a festival and liking the stuff that they also knew was worth playing. I also hadn’t been to the Regent for a show; it's good for a mid-size venue, but a little too easy to get packed for a popular act. We got a good parking spot around the corner (also a perk for a weeknight show), and got there to settle for a spot in the back (though Jen isn’t one to fight to get close, and I don't care enough to do more than go with flow), in time for “Black Balloon,” missing the older stuff at the beginning that we probably saw at a past festival anyway (and also opener Saul Williams, who had headlined the Troubadour once and was now opening in a club, but the mix of styles and genres would have been interesting). It takes some confidence to go from older to newer in a set (unless it's just to use the familiar stuff to hook the audience enough to get them to pay attention to the new material), relying on new stuff to carry the climax of the show, but it’s not like they had hits that anyone was holding out for, and their newer stuff (off Ash & Ice, which came out two years before, so this had been a long tour) was strong enough to sound great without it having to chart as pop music somewhere. And they could still pull a crowd for a show, and maybe even could have without Mossheart’s heightened public profile for an association with Jack White (which left Hince with either resentment or time off). As far as two-person bands with a prowling front-woman and a dude on guitar, I might have taken Sleigh Bells for the live show, if only for the volume and more neo-gothiness than scuzzy NYC vibe, but the Kills could translate whatever they did with production to a live setting, even if the rhythm was canned. We also didn’t get as much (or any) off No Wow as I would have liked, but they had already gotten 13 years and three albums (not counting The Dead Weather and solo work) past it, and I thought I could do without them for a bit, so I couldn’t complain. I also hadn’t gotten obsessed by “Future Starts Slow” until well after that, and it had already become an old track they'd cycled out, so I couldn’t know what I was missing, and it was all still what could be expected from their show, unpacked and expanded from the usual festival.

“Heart of a Dog“
“U.R.A. Fever“
“Kissy Kissy“
“Hard Habit to Break“
“Black Balloon“
“Baby Says“
“Tape Song“
“Echo Home“
“Sour Cherry“
“Doing It to Death“
“Whirling Eye“
“List of Demands“ (Saul Williams cover) (with Saul Williams)
“Pots and Pans“
“Monkey 23“

“That Love“
“Siberian Nights“
“Steppin' Razor“ (Joe Higgs cover)
“Fried My Little Brains“